Audiobooks

Forty-five-year-old English professor Nathan Qells is very good at making people feel important. What he’s not very good at is sticking around afterward. He’s a nice guy; he just doesn’t feel things the way other people do. So even after all the time he’s spent taking care of Michael, the kid across the hall, he doesn’t realize that Michael’s mob muscle uncle and guardian, Andreo Fiore, has slowly been falling in love with him.

Dreo has bigger problems than getting Nate to see him as a potential partner. He’s raising his nephew, trying to leave his unsavory job, and starting his own business, a process made infinitely more difficult when a series of hits takes out some key underworld players. Still, Dreo is determined to build a life he can be proud of—a life with Nate as a cornerstone. A life that is starting to look like exactly what Nate has been seeking. Unfortunately for Dreo—and for Nate—the last hits were just part of a major reorganization, and Dreo’s obvious love for Nate has made him a target too.

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Magical species must never mix. According to the rules, Simon Osborne should ignore the children’s cries for help. After all, they’re werewolf cubs, and he’s an apprentice mage. But for once in his life, Simon breaks the rules and rescues the cubs, saving them from a demon intent on draining them of their magic.

Of course, all actions have consequences, and Simon’s bold move earns him the displeasure of his peers and the attention of the cubs’ alpha, a man named Gray Townsend.

The last thing Gray needs is a mage in his life, but Simon did save his son. Since Simon is now a friend of the pack, Gray doesn’t have much choice about it—or the forbidden attraction that goes along with it. Unfortunately for the alpha, he needs Simon’s help to track down the demon behind the kidnappings—before it strikes again. Simon and Gray must join forces to protect the pack, even as they struggle to resist the temptation that threatens to destroy them both.

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There’s a dead man in Miki St. John’s vintage Pontiac GTO, and he has no idea how it got there.

After Miki survives the tragic accident that killed his best friend and the other members of their band, Sinner’s Gin, all he wants is to hide from the world in the refurbished warehouse he bought before their last tour. But when the man who sexually abused him as a boy is killed and his remains are dumped in Miki’s car, Miki fears Death isn’t done with him yet.

Kane Morgan, the SFPD inspector renting space in the art co-op next door, initially suspects Miki had a hand in the man’s murder, but Kane soon realizes Miki is as much a victim as the man splattered inside the GTO. As the murderer’s body count rises, the attraction between Miki and Kane heats up. Neither man knows if they can make a relationship work, but despite Miki’s emotional damage, Kane is determined to teach him how to love and be loved — provided, of course, Kane can catch the killer before Miki becomes the murderer’s final victim.

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On the day he and Roman Capanelli were to be married, Malik Stevens wakes up in a small room with very little light. Time must be passing, because a door opens from time to time and food is left for him—that’s his only connection to the outside world. Roman is a choreographer on Broadway, and he’s waiting for Malik at the park with all their friends, ready to start their marriage ceremony. When Malik doesn’t show up, Roman is nearly heartbroken thinking he’s been left at the altar. But soon he understands that Malik hasn’t stood him up, he’s been taken.

Desperate and determined, Roman begins searching for clues to aid the police. Then, when Malik escapes, the couple continues the search until they ferret out the culprit, and in the process open up a box of secrets. An orphan who grew up in a foster home, Malik knows his father was a serial killer and his mother died of grief and shame after his father was convicted. Now it seems some of his parents’ skeletons still hang in the family closet. But was Malik’s kidnapping meant to uncover those secrets or to hide them forever?

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Kendall Monroe is handcuffed to a car in the desert.

Is this life imitating art or art imitating life? The only thing he’s sure of is that the situation he finds himself in is a copy of a scene he filmed earlier, only this time, there is no director yelling “cut” and no crew to rescue him. Terrified for his life, Kendall takes comfort remembering happier times with his longtime lover, Johnny. He hasn’t seen Johnny in weeks since Johnny stayed behind to finish his latest best-selling novel.

As he attempts to survive scorching-hot days and freezing nights, Kendall tries to figure out who did this to him. Could it be Johnny, or the research assistant he suspects Johnny is having an affair with? Both options fill him with bitterness. Or is it a more likely suspect? Kendall has a stalker who sends him flowers and always seems to know where he is. But what does this stranger have to gain by leaving Kendall stranded in the middle of nowhere?

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Kevin Derocher was thirty-two when he walked into Tom’s office, newly married, a baby on the way, and the collar of his red flannel shirt pulled up to hide the bruises around his throat from when he hanged himself in his garage. After his initial consult, therapist Tom Langois believes he’ll never see Kevin again—but Kevin turns up three years later to make repairs on Tom’s new house.

Kevin and Tom become fast friends, and Tom begins to suspect Kevin may be interested in more than friendship. However, Kevin remains haunted by something from his childhood—something so terrible he blocked it from his mind. These suppressed memories make it impossible for Kevin to get close to anyone without panicking and lashing out, sometimes violently. But as his past begins to surface, it becomes apparent that Kevin may hold the key to a twenty-five-year-old mystery: what happened to Billy?

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Howard Justinian has always had to fight for his freedom. Because he was born blind, everyone is always trying to shelter him, but he’s determined to live his life on his own terms.

When an argument with his boyfriend over that hard-won self-reliance leaves Howard stranded by the side of the road, assistance arrives in the form of Gordy Jarrett. Gordy is a missionary’s son, so helping others is second nature—and he does it in such an unassuming manner that Howard can’t say no.

Life is barely back on track when Howard receives shocking news: his sister died, leaving him her daughter to care for. Howard now faces his greatest challenge yet: for Sophia’s safety, he’ll need to accept help, but will he learn to accept it from Gordy, the one man who will not curb his independence?

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Caring for a loved one with cancer is tough. Doing it alone is overwhelming—especially when that loved one is a child. But ever since Ken Brighton’s partner left him, Ken has spent his days at the hospital with his daughter, Hanna, hoping for a miracle. Maybe the mysterious care packages that appear for Hanna don’t qualify, but they bring a spark of hope into his and Hanna’s tired life—and so does Ken’s neighbor, former singer Patrick Flaherty.

For two years Patrick hasn’t been able to focus on anything but the life he should have had. An injury robbed him of his voice, and the idea of introducing himself to new people intimidates him. But over the past months, he’s watched as his neighbor nursed his sick child, and once he meets Ken, Patrick starts to crave a life with him—a life he isn't sure he can have.

Ken doesn’t realize he’s fallen in love until the doctors send Hanna home, saying there’s nothing more they can do: Hanna will either recover or succumb. Ken’s heart is set on a new beginning—with both Patrick and Hanna. But Patrick's silence leaves Ken wondering what Patrick wants.

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Artist James Bryant has forearm crutches in every color from rainbow for fun to sleek black for business. He even has a pair with more paint splatters than metal. After his family’s rejection and abuse from a man he thought loved him, James only just gets through the day by painting. He lives in constant fear that he’s not worthy of anything, let alone love.

As CEO of his company, Carrington Enterprises, Seth Burns is a take-charge kind of guy, and he is instantly smitten by the artist helping with his newest project. When he witnesses James suffer a panic attack, a protective instinct he never knew he had kicks in. He truly believes nothing is unobtainable—including James—if he’s willing to put in the time and effort.

James is shy and confused by Seth’s interest in him as a person. With Seth’s support, can he work through his fears to finally find the true love he deserves, or will someone finally land the crushing blow he won’t survive?

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He’s searching for a story but finds so much more.

Brad Torrence is next on the chopping block at the newspaper where he works. Hungry for any source he can find, he runs across an ad in the classifieds: For Sale: Nursery Items, Never Used. It’s the lead he’s been looking for. Thinking a piece about the loss of a child will give him the edge he needs to keep his job, Brad follows up. He doesn’t expect a single man to answer.

Rather than being offended, Cory Wolfe finds sharing the story of his grief and pain liberating. He’s even surprised by the spark that strikes, and one story leads to another.

Brad digs into his stories and Cory’s life, eager to know everything about the man who’s caught his attention. But when a lead points him to the hospital where Cory works, he unearths a mystery that might have been safer left buried. Brad’s search for a story could prove deadly….

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HORN GATE: Open at your own risk.

Librarian Isaac Stein spends his lumpy, lonely days restoring forgotten books, until the night he steals an invitation to a scandalous club steeped in sin. Descending into its bowels, he accidentally discovers Scratch, a wounded demon who feeds on lust.

Consorting with a mortal is a bad idea, but Scratch can't resist the man who knows how to open the portal that will free him and his kind. After centuries of possessing mortals, he finds himself longing to surrender.

To be together, Isaac and Scratch must flirt with damnation and escape an inhuman trafficking ring—and they have to open their hearts or they will never unlock the Horn Gate.

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The Austin Trilogy: Book Two

Music. Topher Manning rarely thinks about anything else, but his day job as a mechanic doesn't exactly mesh with his rock star ambitions. Unless he can find a way to unlock all the songs in his head, his band will soon be on the fast track to obscurity.

Then the South by Southwest music festival and a broken-down car drop New York critic Stanton Porter into his life. Stanton offers Topher a ticket to the Bruce Springsteen concert, where a hesitant kiss and phantom vibrations from Topher’s cell phone kick off a love story that promises to transcend ordinary possibility.

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The Austin Trilogy: Book One

Ben Walsh is well on his way to becoming one of Manhattan’s top litigators, with a gorgeous boyfriend and friends on the A-list. His life is perfect until he gets a phone call that brings it all crashing down: a car accident takes his parents, and now he must return to Austin to raise three teenage brothers he barely knows.

During the funeral, Ben meets Travis Atwood, the redneck neighbor with a huge heart. Their relationship initially runs hot and cold, from contentious to flirtatious, but when the weight of responsibility starts wearing on Ben, he turns to Travis, and the pressure shapes their friendship into something that feels a lot like love. Ben thinks he’s found a way to have his old life, his new life, and Travis too, but love isn’t always easy. Will he learn to recognize that sometimes the worst thing imaginable can lead him to the place he was meant to be?

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Joe wakes up in a barley field with no clothes, no memories, and no idea how he got there. Before he knows it, he's off on the last great journey of his life. With his soul guide Baker and a charge to have courage from a mysterious, alluring, and somehow familiar Stranger, Joe sets off through a fantastical changing landscape to confront his past.

The quest is not without challenges. Joe's past is not always an easy thing to relive, but if he wants to find peace—and reunite with the Stranger he is so strongly drawn to—he must continue on until the end, no matter how tempted he is to stop along the way.

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Stories from the Range: Book Four

Country singer Willie Meadows is a fake. He’s never ridden a horse, and his “Western” gear comes from a boutique shop in LA. No wonder Wilson Edwards, the real man in those fake boots, is suffering creative block. Determined to connect with the music, Wilson buys a ranch in Wyoming to learn the country way of life, even if he has no intention of running the business. Then Steve Peterson shows up desperate, destitute, and hungry, having just escaped a gay deprogramming hospital run by his father’s cult.

Steve was supposed to train horses for the ranch’s former owner, but the job is gone along with his would-be employer. Luckily Wilson has a temporary solution: Steve can ranch-sit while Wilson does business in LA. But when he comes back, Wilson barely recognizes the place. There are trained horses in the paddock, and the ranch is in great shape. Suddenly he finds himself inspired not by the cowboy lifestyle but by Steve himself.

But the cult is still after Steve, and Wilson’s fear of scandal means he’s still in the closet. Coming out could kill Willie’s career—but denying his feelings for Steve could kill the only part of him that’s real.

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Stories from the Range: Book Three

The last thing Liam Southard expects when he flees his abusive father is to be taken in by a couple of gay ranchers. Soon he has a new job and a new perspective on his sexuality, and his life starts to turn around. Then someone pulls a gun on him.

In Troy Gardener’s defense, the gun thing was a mistake. Between his marriage falling apart and living in his uncle's isolated hunting cabin, he's been a little edgy. He wants to make it up to Liam, and once he discovers how much they have in common, he wants even more. But with Liam's father popping in unexpectedly and a mining company threatening the ranch’s water supply, the only guarantee is that life is never going to be boring.

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Stories from the Range: Book One

After a year in medical school, Dakota Holden returned home to take care of the family business full time and help his father cope with multiple sclerosis. Devoted to his family, Dakota allows himself just one week of vacation a year, which he spends in some exotic location having all the fun he can stand. On his last vacation, a cruise, Dakota struck up a friendship with Phillip Reardon, and it fills an important role in Dakota’s life.

So when Phillip decides to take Dakota up on his invitation to visit the ranch, Dakota is happy to see him and meet his veterinarian friend, Wally Schumacher. Despite Wally’s inclination to help the wolves Dakota’s men shoot to protect the cattle, he and Dakota find they have a lot in common, including a fierce attraction. But they’ll have to decide if the Wyoming range is big enough for Dakota’s cattle, Wally’s wolves, and their love.

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Stories from the Range: Book Two

The neighboring Holden and Jessup ranches are anything but neighborly—Jefferson Holden and Kent Jessup loathe each other. But despite his father’s long-held grudge, Haven Jessup just can’t bring himself to hate, especially after Dakota Holden takes him in during a violent storm and Haven meets Dakota’s friend, Phillip Reardon.

Phillip accepts Haven for who he is, seeing through the mask Haven uses to hide his attraction to men, but their tentative and secret relationship will be under a huge amount of stress. Sabotaged fences, injured animals, unsavory plans, and Jessup family secrets will threaten Haven’s newfound happiness and his hopes of a future with Phillip.

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